Wednesday, February 18, 2015

On My Easel (3) / En mi caballete (3)

Some paintings in process. The first painting I have a picture of the sight were I was plein air painting; it is Hollywood Beach, FL. The second one is an Atlantic coastal view. The last painting is another plein air painting I am developing at the Fern Forest Nature Center, FL. It is not a fast process, given that I prefer to work with a similar light/weather in the same spot, at the same time of the day.
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Algunas pinturas en proceso. De la primera tengo una foto del sitio donde estaba pintandola al aire libre, es en la playa de Hollywood, FL. La segunda pintura es una vista de la costa atlántica. El último es otra pintura al aire libre que estoy pintando en una reserva natural de la Florida, (Fern Forest Nature Center, FL.) No es un processor rápido ya que prefiero pintar bajo circunstancias de luz y tiempo similares.


Hollywood Beach, oil, © Sergio A. Ramos, All rights reserved.





Coastal view, oil, © Sergio A. Ramos, All rights reserved.


Fern Forest Nature Center, FL, © Sergio A. Ramos, All rights reserved.







Friday, February 6, 2015

A Simple Tip: En Plein Air, Everglades, FL



[Español debajo]

This is a short video exemplifying the importance of avoiding certain pitfalls when selecting a view, and also about properly managing the daylight time available for painting. It shows an experience in which the painter miscalculates a few variables (the projection of shadows and the sunset time) when painting outdoors.


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[English above]

Este breve video ejemplifica la importancia de evitar ciertas difficultades cuando se selecciona una escena para pintar al aire libre, especialmente el manejo del tiempo, de la luz disponible para pintar. Muestra una ocasión en la cual el pintor calcula inadecuadamente algunas variables de la pintura al aire libre (extensión de ciertas sombras proyectadas y el ocaso).

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This original oil painting is available for sale, $240 + shipping. Feel free to contact me at ramosfineartstudio@gmail.com

Palm tree in the Everglades, FL, 2015, 8in x 10
© Sergio A. Ramos, All rights reserved.




Sunday, February 1, 2015

A Few Words about a Duck

A duck, 8in x 10in, oil on Masonite board

I have always enjoyed nature. The natural world, the beauty of its complex simplicity, is life at its core. Creation and creatures fascinate me. Journeying from the center of my Christian spirituality, to my artistic sensibility, I find myself always preferring nature to other stuff, other sights, other structures. Painting nature doesn't equal to representing, say, the shape of a tree and how the light of the sun produces diverse visual effects on its different planes. In the case of a tree or a duck, it is painting the strength, energy, and/or growth of a living organism, to say the least. It is a response -and kind of relationship- with what is being depicted. In painting there is no button to click. There is no screen to check how the image came out one second later. Painting is an exercise of the soul, a way of feeling and seeing, before it becomes an artistic response on the canvas.

Nature is so amazing, varied, and full of movement, light, colors, shapes and relationships that... it is just impossible to replicate it in a picture (no, photography cannot do that either). 

What is left for us then? My first response is to thank God, knowing that I am alive, and that right now is a privilege to enjoy creation as a breathing creature myself. Then, is appreciation, observation of the natural world. From these, emerges the interpretation of what I perceive through my senses in an artistic way, struggling with the materials (oil, pencils, mediums, etc), the techniques available in the realist/impressionist tradition to say what I want to say, hoping that it will communicate to others the feelings and concepts that moved me initially. 

Bottom line, art is an interpretation of nature, expressed through the sensitivity of the artist, that in the best of cases conveys dexterity of craftsmanship and purity of emotions. No matter how well an interpreter uses the visual language, but there is no substitute to listening directly to the Creator, creation, and the creatures. It was with this awareness of the plentiful beauty around me that I painted a duck.